You have a hall booked on the northeast Avalon and six booths on a website. Which one of them turns up, and what happens between now and the moment it does? Most first enquiries from St. John’s arrive as a request for a price, when the price is the part that needs the least work, because the six published figures fall into three pairs and each pair shares one number. What takes the conversation is the order of the decisions. So here’s the whole thing in sequence, from the first email through to the point where the van leaves, with everything we’ll ask you for along the way.
The Six Booths We Send to St. John’s
Start here, because the range sorts itself before you have to think about it.
| Published figure | The pair | What separates them |
|---|---|---|
| $399 | Open air and 360 video | One is a print booth against a backdrop, the other a video feature published as suiting one to three people at a time |
| $549 | Enclosed and photo booth pod | One is a private space behind a curtain, the other an open stand with an attendant |
| $599 | Mirror and magazine | One is an HD touch screen, the other a one-day rental with a published footprint and a six to eight guest capacity |
The pairs are the useful part. Inside a pair the published figure is identical, so the money has already stopped deciding and only the format question is left. The 360 video booth is the one people misjudge most often, because it’s a feature that draws a crowd for an hour and it can’t process a room.
Step One: The Room, Before Anything Else
The first thing we ask about is the hall, and it’s the answer that removes the most options.
Send us the venue and roughly where in it the booth would stand. What we’re looking for is a wall or a clear corner, a standard outlet nobody else is using, and enough space in front for a group to step back. The magazine booth publishes a height of 7.6 feet, so if your room has a dropped ceiling or a low beam, that’s the number to check first and it’s the one that most often rules something out.
If you’re in Mount Pearl or Paradise the questions are the same. Newer function rooms out that way tend to be easier on access than an older St. John’s hall with stairs, though the ceiling question applies everywhere.

Step Two: Picking a St. John’s Booth From the Six
With the room settled, the format question is short, and it usually comes down to what the evening needs the booth to do.
If everybody should walk away holding a print, take the open air booth or the pod, since both publish unlimited prints during the event. If the room is formal or the guests are colleagues, the enclosed booth’s curtain earns its keep. If you want one hour people talk about afterwards, the 360 is the answer, and it comes with two sets of stanchions so it defines its own floor. The Toronto Balloon Décor magazine photo booth page photographs that last format from a different angle, if you’d like a second look at it.
The mirror booth is the one we’d point you at for an arrival moment, and the magazine booth for anything running longer than an evening, because it’s the only one in the range published as a day rental.

Step Three: Hours, Backdrops and the Extras
Two more decisions, and then the booking is a booking.
Hours. The open air booth, the 360, the enclosed booth and the pod each publish a two-hour block with a rate for every additional hour. Book the booth against where the evening actually gathers, not against the length of the party, because a booth is idle while people are seated. Three to five hours covers most St. John’s weddings once the speeches are mapped.
The backdrop. A backdrop comes with the booking, and the photo booth backdrops page publishes six sequin colours, two velvets and three vinyls. Gold and rose gold sequin are the standard pair, and a colour outside them is published as a custom charge. Velvet holds up better under heavy coloured uplighting, so tell us if your room has a lighting package.
The extras. A red carpet with two sets of stanchions is published as an add-on, and the 360 booth has a smoke machine and an inflatable surround published as its own. A neon sign behind the booth does a similar job for less fuss, and Tent Rent’s neon signs rental page shows the sort of thing that suits.

Getting it there. This is the part nobody asks about and the part that decides how the night feels. For the open air booth and the pod, the published arrival is up to three hours before your start time. The 360 booth’s page publishes delivery, setup and take down, and the enclosed booth’s page says our staff manage delivery, operation and removal. The magazine booth is different again, with set up and pickup published as being at your convenience, which is what makes it the sensible choice for a day where the room is only yours from the morning.
What we need from you is the access detail: what time the room opens to you, whether there’s a lift or stairs, and who holds the key. That’s it. Send those with your date and the booking is effectively done.
St. John’s Booth Booking Q&A
Everything a first booking asks, before anything is confirmed.
How much is a photo booth rental in St. John’s?
The six published figures fall into the three pairs set out above, with the open air and 360 booths cheapest, the enclosed booth and the pod in the middle, and the mirror and magazine booths at the top. The booths quoted by the hour publish their additional-hour rate on their own pages. Because two booths share each figure, the price narrows your choice to a pair and then the format decides. Send us your hours and we’ll come back with a firm number for the one that suits your room.
How far ahead should I book a booth in St. John’s?
As soon as your venue and date are confirmed, which in practice means several months for a summer or December wedding and less for a weeknight corporate evening. The constraint is the attendant’s calendar rather than the booth itself, so the busy Saturdays go first. If your date is soft, tell us the range you’re working with and we’ll say which weekends are already tight.
Which booth suits a small hall in Mount Pearl or Paradise?
The pod or the open air booth, usually, because both work against a single wall and neither needs a footprint carved out of the middle of the room. The 360 booth is the one to think twice about in a small room, since it comes with two sets of stanchions and wants a clear circle around it. Send us a photo of the space and we’ll tell you what fits comfortably rather than what fits technically.
Do I need a backdrop with a St. John’s photo booth booking?
You get one either way, so it’s a question of which rather than whether. The published range runs to six sequin colours, two velvets and three vinyls, with gold and rose gold sequin as the standard pair and anything outside them published as a custom colour. Once you’ve landed on a palette, send us the colours and we’ll match a material to your venue’s light.
Can we book a booth for more than one day?
Yes, and the magazine booth is the one built for it, because it’s published as a one-day rental with a rate for each additional day instead of by the hour. For a conference or a two-day festival that unit usually works out better than stacking hourly bookings. For a single evening it rarely does, so we’d only suggest it where the room is genuinely yours for the day.
What happens if our timings move on the night?
They often do, and it’s easier to plan for than to fix. Our attendant is scheduled to the window you book, so a speech running long eats into it unless we’ve talked about it first. Tell us where your night is likely to slip and we’ll either place the window later or hold an extra hour you can release. Holding time you don’t use is much cheaper than wanting time that isn’t there.

Send Us the Date and the Hall
Four things, and we can quote and hold it in one reply.
The date, the hall, how long you need the booth running, and your colours. Everything above follows from those, and where something in your room rules a booth out we’ll say so rather than letting you find out in the week of. The St. John’s photo booth services page carries all six formats, if you’d rather look before you write.

